Convert AAF, Premiere XML, FCPXML and FCPXMLD into each other — sample-accurate, in batch. Fades, crossfades, clip gain, markers and the picture track travel with the cut.
One-time purchase · runs offline · no signup, no subscription · macOS & Windows
A clickable recreation of the app — flip anything, hit convert.
Any direction. Drop a Resolve AAF and deliver a Premiere sequence. Take a Final Cut bundle to Pro Tools. Every conversion runs through one sample-accurate engine — no NLE required in between.
Twelve directions, one engine — these are the hand-offs post teams ask for every day.
Open a DaVinci Resolve or Avid AAF as a native Premiere Pro sequence — stereo tracks, transitions and markers included.
Bring any AAF timeline into Final Cut Pro as roles-organized audio with true crossfades.
Send a Premiere cut to Pro Tools, Nuendo or any audio-post DAW — without owning Premiere's AAF quirks.
The X2Pro-style hand-off: Final Cut project to Pro Tools/Avid, with media collect and MXF-safe audio.
Move a Final Cut edit straight into Premiere Pro — no intermediate NLE required.
Take a Premiere sequence to Final Cut Pro, bundle format included.
A conversion engine verified edit-by-edit against DaVinci Resolve, Premiere Pro and Final Cut Pro — with honest reports about anything a format cannot carry.
Drop any number of timelines, pick one target, convert them all — with live status per file and a cancel button that actually cancels.
Audio placement is exact to the sample, at any project frame rate. Frame rates from 23.976 to 120 fps — or none at all for audio-only AAF.
Every crossfade maps to the target's native construct — real AAF dissolves, Premiere transition items, true overlapping blends in FCPXML. Full blend length, no level dip, no shifted cut points: acoustically as close as the target format can render.
Link to original media, or collect every referenced file next to the output — one complete, movable turnover package.
MXF audio transcodes to WAV automatically — or keep the original MXF references for editors that read them natively.
Every conversion writes a plain-text report: what transferred, what the target format cannot carry, and every warning that matters.
Straight answers per target format — the same hints the app shows before you convert.
| Target | Accuracy | Carries | Format limits |
|---|---|---|---|
| .aaf | sample-accurate | fades, crossfades, clip gain, pan, volume automation, markers, video reference track | — |
| .xml (Premiere) | frame-accurate | fades & crossfades as real transitions, clip gain, stereo tracks, markers, video track | no pan / volume automation |
| .fcpxml | sample-accurate | fades & true overlapping crossfades, clip gain, markers, video storyline | no pan / volume automation |
| .fcpxmld | sample-accurate | same as FCPXML, packed as a Final Cut bundle; collected media travels inside the package | no pan / volume automation |
Drag any mix of .aaf, .xml, .fcpxml and .fcpxmld files into the window.
Choose the output format, frame rate and media handling. One output folder for all — or next to each source.
One click converts the whole batch, with live status and a report per file. Import in your editor and keep cutting.
The demo is the complete app — every format, full batch, no signup. In demo mode each output covers the first 120 seconds of the timeline, with your complete track layout — enough to open the result in your editor and check every edit before you buy.
macOS 13+ (Apple Silicon) · Windows 10/11
First launch: your system may warn that the developer isn’t recognised. We’re a small independent studio and haven’t finished code-signing yet — it’s on the way, thanks for your understanding. The app is safe and runs fully offline. On macOS, right-click the app → Open; on Windows, More info → Run anyway.
Secure checkout via Lemon Squeezy · license key by email · VAT/receipts handled automatically
Anything that reads or writes the four formats: DaVinci Resolve, Avid Media Composer, Pro Tools, Nuendo and most audio-post DAWs via AAF; Premiere Pro via Final Cut 7 XML; Final Cut Pro via FCPXML or the modern FCPXMLD bundle.
Yes — audio placement is computed in samples, independent of the frame rate. Only Premiere XML is frame-quantized, because the format itself counts in frames. Every build is verified by an automated round-trip suite that converts real timelines through every format and compares each edit.
By default the output links to your original files. Choose Collect and every referenced audio file is copied into a Media folder next to the output — a complete package you can move to another machine. MXF audio transcodes to WAV automatically, or stays untouched if your target reads MXF natively.
AAF carries everything including pan and volume automation. The XML formats have no concept of pan or volume automation — the report tells you whenever something could not travel. Compound/multicam clips in FCPXML should be broken apart before exporting (the report flags them).
Yes — that’s the point. Coming from Premiere, export an
AAF (File → Export → AAF — the sample-accurate
route) and convert it to .fcpxml /
.fcpxmld for Final Cut. Coming from
Final Cut, export FCPXML and convert it to
Premiere XML for the way back — Premiere cannot read
third-party AAFs, so the converter always hands Premiere its own
XML dialect.
Yes — drop any mix of the four formats into the window and convert everything as one batch to a single target, with live status per file and a report next to every output. Existing files are never overwritten.
We are a small independent studio, and Apple’s code-signing & notarization program is genuinely costly for a tool this size — it is on our roadmap, and the warning will disappear in a future update. Until then Gatekeeper simply cannot verify who made the app and plays it safe: right-click the app once, choose Open, done — macOS remembers it. The app runs entirely offline and your timelines never leave your machine.
Only once, to activate your license key. After that the app is fully offline — nothing is uploaded, your timelines never leave your machine.
AAF Bridge connects your editor with Ableton Live. AAF Everything is a pure format-to-format converter between editors — no Ableton involved. Same engine family, different job.
Questions before buying, feedback — or found a bug? Either way, please write. If a real-world timeline breaks the converter, we genuinely want to see it — bug reports directly shape the next update. You’ll get an answer from the person who wrote the code.
Email support@aafeverything.app